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| Preface Bridging the Gap between Text and Performance | ix | ||
| Acknowledgments | xiii | ||
| one Creating Lear Onstage | 1 | (18) | |
| two Cutting Shakespeare | 19 | (12) | |
| three A Director's Concept for The Comedy of Errors | 31 | (18) | |
| four Interacting with the Actors The Merchant of Venice, King Lear, and Hamlet | 49 | (14) | |
| five Set Design and Theatrical Presence in Julius Caesar | 63 | (10) | |
| six Adapting A Midsummer Night's Dream for the Cast, Producer, and Theater | 73 | (14) | |
| seven A Mirror for Staging Hamlet Rosencrantz and Guildenstern Are Dead | 87 | (20) | |
| eight "Why, Sir, Is Shakespeare Eternal?" | 107 | (28) | |
| nine Never Too Young, Never Too Old | 135 | (4) | |
| Notes | 139 | (6) | |
| Pertinent Sources | 145 | (4) | |
| Index | 149 |
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